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Central Park (History II)
The State appointed a Central Park Commission to oversee the development of the park, and in 1857 the commission held a landscape design contest. Writer Frederick Law Olmsted and English architect Calvert Vaux's "Greensward Plan" was selected as the winning design. In the execution, sculptural detail was provided by Jacob Wrey Mould. During the peak years of initial development, Olmsted and Vaux employed some 20,000 skilled and unskilled workers. Several influences came together in the "Greensward" design. Landscaped cemeteries, such as Mount Auburn (Cambridge, Massachusetts) and Green-Wood (Brooklyn, New York) had set an example of idyllic naturalistic landscapes. The most influential innovations in Central Park's design were the separate circulation systems for pedestrians, horseback riders and pleasure vehicles, with "crosstown" commercial traffic (almost non-existent at the time of the design) entirely concealed in sunken roadways screened with densely planted shrub belts, so as not to disturb the impression of a rustic scene. There are some 36 bridges designed by Vaux, ranging from rugged spans of Manhattan schist or granite, to lacy neo-gothic cast iron, no two alike. The ensemble of the formal line of the Mall's doubled all?es of elms culminating at Bethesda Terrace, with a composed view beyond of lake and woodland, is at the heart of the larger design. The Saw Kill was dammed to make the Lake, and the spoil was laid as a curving earthen dam, with the carriage drive laid on it so naturally, that few today realize it is a dam. The solidly frozen Lake is a thing of the past, now that the Park is at the center of an urban heat island. |
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